Theatre and Aural Attention Stretching Ourselves | EKB DL

Home BookTheatre and Aural Attention Stretching Ourselves

Theatre and Aural Attention Stretching Ourselves

Theatre and Aural Attention Stretching Ourselves

Description

Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.

Keywords

Performing ArtsTheaterHistory & CriticismArtDanceClassical & BalletHistory

2015Book

Author(s)George Home-Cook

PublisherPalgrave Macmillan UK

ISBN9781137393685

LanguageEnglish

SpringerLink Book

Similar Books

Theatre Aurality

Theatre Aurality

Acoustic Interculturalism Listening to Performance

Acoustic Interculturalism Listening to Performance

Audience Participation in Theatre Aesthetics of the Invitation

Audience Participation in Theatre Aesthetics of the Invitation

Kinesthetic Spectatorship in the Theatre Phenomenology, Cognition, Movement

Kinesthetic Spectatorship in the Theatre Phenomenology, Cognition, Movement

Theatricality, Dark Tourism and Ethical Spectatorship Absent Others

Theatricality, Dark Tourism and Ethical Spectatorship Absent Others

Feeling Theatre

Feeling Theatre

Cognition in the Globe Attention and Memory in Shakespeare’s Theatre

Cognition in the Globe Attention and Memory in Shakespeare’s Theatre

Visuality in the Theatre The Locus of Looking

Visuality in the Theatre The Locus of Looking

Naming Theatre Demonstrative Diagnosis in Performance

Naming Theatre Demonstrative Diagnosis in Performance

Immersive Theatre and Audience Experience Space, Game and Story in the Work of Punchdrunk

Immersive Theatre and Audience Experience Space, Game and Story in the Work of Punchdrunk