The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film
Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Keywords
Performing ArtsFilmHistory & CriticismTelevisionPhotographyTechniquesCinematography & Videography
2012Book
Author(s)Matthew Flisfeder
PublisherPalgrave Macmillan US
ISBN9780230341470
LanguageEnglish
