Description
This book traces the process through which authors like Spenser, Shakespeare, and Milton adapted, rewrote, or resisted romance, mapping a world in which new cross-cultural contacts and religious conflicts demanded a rethinking of some of the most fundamental terms of early modern identity.
Keywords
Literary CriticismPoetrySemiotics & TheorySocial ScienceModernEuropeanEnglish, Irish, Scottish, WelshReligionIslamLanguage Arts & DisciplinesAnthropologyCultural & Social