Description
No other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
Keywords
Performing ArtsFilmHistory & CriticismTelevisionHistoryUnited StatesModernAmericas (North, Central, South, West Indies)Social ScienceMedia StudiesPhotographyTechniquesCinematography & Videography