Description
Through an analysis of Cold War Era films including Border Incident , Where Danger Lives , and Touch of Evil , Stephanie Fuller illustrates how cinema across genres developed an understanding of what the U.S.-Mexico border meant within the American cultural imaginary and the ways in which it worked to produce the border.
Keywords
Social ScienceEthnic StudiesCaribbean & Latin American StudiesHistorySocial HistoryPerforming ArtsFilmHistory & CriticismTelevisionModernUnited StatesAnthropologyCultural & SocialSociologyAmericas (North, Central, South, West Indies)